Connecting three generations of music enthusiasts, Goa Gil is an imposing figure in the world of psychedelic trance. If the title of his 2007 compilation registers intent, he is a Worldbridger. Bristling with motifs of world sacred sites and appropriated "tribal" icons, with Gil seated cross-legged upon the apex of a Mayan temple, the album's cover artwork confabulates the physical, spiritual and cultural worlds he professes to bridge. Leading world-wide "trance dance rituals" Goa Gil operates under the guise of a "techno-shaman", a "cyber-baba" and a selector/mixer of traditions whose rituals are reputedly timeless and universal. But this intent is performed amid a highly mobile lifestyle spread across diverse psychedelic music cultures, scenes and sensibilities in discrete times and places. From the 1960s Haight-Ashbury psychedelic rock scene, to the psychedelic jam band scene on Anjuna beach, Goa, India, in the 1970s, to the adoption of electronic music in a DJ-led scene in the 1980s, to the birth of "Goa trance" in the 1990s, to his selection, production and performance of dark psychedelic trance in the 1990s/2000s onwards, DJ Goa Gil's life spans a breathtaking panorama of this-worldly psychedelic scenes. Gil is a freak bricoleur, an anomalous figure who evades modest circumscription. A Californian exile and sanctioned Shaivite practitioner with a professional hankering for darkpsy (as a DJ-producer), a hippie broker of the "Cosmic Spirit" and a post-apocalyptic punk, he is a spiritual authority and cultural outlaw touring the planet with an improbable mix of semiotic and sonic baggage. What's more, celebrated as a champion of the "Goa vibe" or derogated as an accomplice to its demise, Gil is a controversial figure who is the embodiment of considerable ambivalence. This article explores this holiest of anomalies in the world of DJing.