The world is witnessing great changes, and these changes are comprehensible in the realm of performance of "identity", "boundary", "geographic concept” (place) and "time". Identities are now segmented, boundaries passed over, and places and time compressed. Television is one of the effective factors in making this happen. However, it seems like television, which itself is one of the evidences of globalization, has now acquired new characteristics. With a little care while reading texts related to globalization and media, we realize the four words "reality", "identity", "power" and "hyper-reality" are constantly repeated in these texts, and very few people doubt the close relationship between television and these topics. Facing such a situation, and to understand the characteristics of the global television, this article plans to start on the basis of a theoretic called "RIPH Model". Based on the presumption that the role and place of television in forming the cultural shapes must not be exaggerated, it tries to present an outlook of the activities of the local and global televisions in the age of globalization and share the outcomes with 20 Iranian experts through interviews. RIPH is the short form which stands for the four words "reality", "identity", "power" and "hyper-reality". These are the concepts with new definitions that have changed our views about life on the Planet Earth, and this article studies the factors related to global and local televisions in the frame of an innovative model suggested by the researcher called "The Lozenge of the Performance of the Global and Local Televisions (RIPH Model)", by investigating the relations between television and the above-mentioned concepts.