commentary on william thomson's "pitch frames as melodic archetypes"
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commentary on william thomson's "pitch frames as melodic archetypes"

;David Temperley
nicotine & tobacco research : official journal of the society for research on nicotine and tobacco 2006 Vol. 1 pp. 103-105
228
temperley2006empiricalcommentary

Abstract

While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or atemporal construct.

Keywords

perception melody modality temporalmusic

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DOI:
10.18061/1811/24079
URL:
https://kb.osu.edu/dspace/handle/1811/24079

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ID: 236112
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