Rich in historical details and artistic illustrations of the Near East and the Holy Land, the selected accounts of journeys and pilgrimages written by European and American Christians (Catholic and Protestant) provide numerous and broad sets of views, landscapes, sketches and scenarios. This article analyses them in order to define and point out the structure and the ratio of organizing and cataloguing these “epic” stories, and their relationship and connection with the socio-political dimension of the time. In particular, this article analyses the concept and the image produced by Christian missionaries and travelers of various affiliations, thus identifying similarities and differences between their visions of the Holy Land and pointing out to what extent they contributed to the creation of an univocal “Christian” image of the Holy Land during the 19th century and/or there were perceptible and significant divergences.