dramatic rewritings of the spanish golden age theater of cervantes´s la fuerza de la sangre
Abstract
This paper analyzes the Golden age spanish theater recreations of Cervantes’s exemplary novel La fuerza de la sangre. Specifically, the paper reviews three important stages in these recreations: La fuerza de la sangre of Guillen de Castro, El agravio satisfecho de Castillo Solórzano, and No hay cosa como callar de Calderon de la Barca. Different rewrites indicate a close relationship between the three dramatic texts through intertextuality and other influences.
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170693
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0x95644003c57E6F55A65596E3D9Eac6813e3566dA
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170693
Unique Identifier:
10.3989/anacervantinos.2013.007
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Scimatic Chain (ID: 481)
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