The paper analyzes architectural discourse that is formed around the term minimalism, between 1976 and 1999, a period that I consider constitutive for theorization of the term. The presentation is directed by two hypotheses: I) minimalism in architecture does not have a continuous stream of origin, development, and is not a style, direction, movement, school, genre or trend in terms of how it is defined in disciplines such as art history, aesthetics and art theory II) the fact that it's rare for an architect to declare himself a minimalist suggests that minimalism in architecture is actually a product or construct of an architectural discourse that emerged from the need to consolidate the existing obvious and widespread formal idiom in architecture partly during and after post-modernism. It is indicative that the writing of history of minimalism in architecture, in its most intensive period - the nineties, takes place mainly in three cities: London, Barcelona and Milan. In this sense, we can examine how each of these centers emphasized its role, through the ambition of minimalism in architecture to appear as an authentic local creation.