The article analyzes the dramaturgical component of that which we call cybertheatre with the advent of the digital era in the late twentieth century, with reference to leading companies in the insertion of the virtual on stage, but not limited to mere props representation or accompaniment, but the ubiquitous actor interacting new simulacral virtual body (through its image). How this affects hypertext or digital technology to the future of the performing arts and their contribution dramaturgical just clarified. All this in the historical context (aesthetic progression from theatrical vanguards of the twentieth century) in which the emergence of digital culture is inserted.