1 The Immersive Theater Experience for Individuals with Autism Spectrum Disorder.

2 la danza e la lotta: performances culturali e buone pratiche di cooperazione tra europa e africa - dance and fighting: cultural performances and best practices of cooperation between europe and africa

3 concepţiile estetice ale actorului şi regizorului petru vutcărău

4 le funzioni della rappresentazione drammaturgica in psichiatria

5 for a theatrical genetics: assumptions and challenges

6 machiavelli plautino. qualche scheda teatrale

7 the lower depths on the german stage

8 the art of stage design in terms of siberian culture of the second half of the xx century (krasnoyarsk and irkutsk case study)

9 a arqueologia amazônica e ideologia: uma síntese de suas interpretações

10 on children, on theatre, on non-understanding

11 teatro maya: rabinal achí o danza del tun

12 nominal ethnocentrism and the performing arts

13 How an image makes people move: Symbolic reality, civil disobedience and skills training on and off the stage of an Oxford University Theatre Production

14 Hyper reality theatre: Violating the boundary of the realism structure through the work “theatre lembu/tepuk amai-amai”

15 Applied theatre as participatory action research: Empowering youth, reframing depression

16 Le fascisme, c’est du théâtre. Macchina scenica e meccanica narrativa

17 Gender, Humour and Transgression in Canadian Women’s Theatre

18 Spoken drama and its doubles: Thunderstorm 2.0 by Wang Chong and Théâtre du Rêve expérimental

19 Decrypting cultural nuances: using drama techniques from the theatre of the oppressed to strengthen cross cultural communication in social work students

20 Towards docuvention: the multiplicities of documentary practices in Practice as Research (PaR) Applied Theatre

21 Pühaduse performatiivsus ja kristlik teater / The Performativity of Sacrality and Christian Theatre

22 Evaluation of Air Contamination in Orthopaedic Operating Theatres in Hospitals in Southern Italy: The IMPACT Project.

23 Harold Pinter's theatre of power: Studying space as a motif for authority and identity in The Birthday Party, one for a road and Mountain Language

24 Erratum to: The Resonables of Boroughside, Southwark: an Elizabethan black family near the Rose Theatre (Shakespeare, (2015), 11, 2, (135-156), 10.1080/17450918.2013.766633)

25 Review of Shakespeare’s King Lear (directed by Jonathan Munby) at the Duke of York Theatre, London, 29 September 2018

26 Revealed individual attendance at Italian theatre: a microeconomic investigation

27 Emancipated spectators in the theatre history classroom

28 Recalling Memories Through Reminiscence Theatre

29 Näitleja (füüsilis-vaimse) kohalolu ja kehastumiskogemuse fenomenoloogiline uurimine postdramaatilise teatri kontekstis. Phenomenological study of the actor’s embodiment experience and (physical and mental) presence in the context of postdramatic theatre

30 Using Theatre to Develop Writing Skills: The Story Pirates Idea Storm

31 Review of Shakespeare’s Macbeth (directed by Polly Findlay for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 9 April 2018

32 Shakespeare’s Macbeth (Directed by Damian Cruden for Lunchbox Theatrical Productions) at Shakespeare’s Rose Theatre, Blenheim Palace, Woodstock, 13 July 2019

33 Responding to Racism in the Clinical Setting: A Novel Use of Forum Theatre in Social Medicine Education.

34 Challenging gender stereotypes and advancing inclusive leadership in the operating theatre.

35 Recycling paper in the operating theatre, a challenge for the future

36 The oscillation between dramatic and Postdramatic Theatre: Mark Ravenhill's Shopping and F∗∗∗ing

37 'Commerce and morality in the theatre of mark ravenhill'

38 PUBLIC ANATOMY LESSONS AND THE CARNIVAL: THE ANATOMY THEATRE OF BOLOGNA

39 a personal experience of theatre of the oppressed

40 playing into gender stereotyping in a preschool theatre production

41 theatre is a valid add-on therapeutic intervention for emotional rehabilitation of parkinson’s disease patients

42 kings’ and the king’s banquets in some medieval prose and theatre

43 improviser en classe de français langue Étrangère : spontanéité et réflexion à travers le théâtre-forum

44 symbolism and theatre of masques: the deathly carnival of la belle époque

45 translating shakespeare for the theatre translating shakespeare for the theatre

46 cuadros de memoria y postales de olvido. tres escenarios en la historia del teatro argentino / memory paintings and oblivion postcards. three stages in the history of the argentine theatre

47 kings, saints and husbands: portuguese characters in the golden age theatre

48 teatro de fantoches na formação continuada docente em educação ambiental puppet theatre in teacher continued environmental education

49 la dialéctica del amo y el esclavo como clave interpretativa del teatro emergente en la dictadura uruguaya de los años 70 the master-slave dialectic as a key for understanding the emergent theatre during the uruguayan dictatorship of the '70s

50 theatre

51 trish reid, theatre & scotland. theatre&. new york: palgrave macmillan, 2013. pp. xiii + 103. isbn 978-0-23029-261-1. £5.99.

52 patrick pearse and the theatre / mac piarais agus an téatar

53 ancient greek and indian theatres: their origin in choral dances, which represent old myths by means of mimesis

54 rescuing the regent theatre

55 sociolinguistics of power in the spanish golden age. of reverences, highnesses, mercies, lordships and other forms of treatment in the theatre of calderón de la barca

56 book review: sébastien fevry/serge goriely/arnaud join-lambert (eds.), regards croisés sur incendies : du théâtre de mouawad au cinéma de villeneuve

57 el teatro en el cine. estudio de una relación intermedial / the theatre in the cinema. a study of an intermedial relationship. anxo abuín gonzález. madrid: editorial cátedra, 2013

58 Forum theatre for practice simulation and skills development in nurse education: A student's perspective

59 Delayed post-surgical sepsis from Teflon felt: The diagnostic value of CT scanning, and a reminder for theatre staff

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