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Convergent Parallel Mixed Methods Study of Emotional Well-Being in Philippine Drag Performers

Keith Ayrand Titular
Psychology and Education: A Multidisciplinary Journal · 2025-03-21 · DOI 10.70838/pemj.340106
Token #4720
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Token#4720 of SciMatic Articles (ERC-1155), fixed supply 1,000,000
Contract0x0E596B4bb924937aA35D9b342A90347ed6F05eF8
Mint transaction0xd2542e1dae73c0f888a19adfc23960133f2b4c42e1d258aaa94703e5646aa919 · block 12104077
Minted2026-10-02 03:15 UTC
Hash on chain0x016d7264f4dc14bae370061355f90cc6a988c3eece0152c5ff0a593d8417820e
SHA-256 of the record0x016d7264f4dc14bae370061355f90cc6a988c3eece0152c5ff0a593d8417820e
Article today Matches the anchored record.

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HolderWalletMintedHolds now
SciMatic (10%) 0xc35709AB…277732 100,000 100,000
Keith Ayrand Titular 0x074D1F84…E7Af5b 900,000 900,000

The anchored record

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{"abstract":"This convergent parallel mixed-method research aimed to determine the relationship between emotional well-being and personal growth among drag performers in the Philippines. Using snowball sampling, thirty (30) drag performers in Metro Manila were the respondents, whereas, in the qualitative phase, five (5) drag performers were the participants with ages ranging from 18-50 years and an experience of at least six months or more. The results revealed that respondents had an Average Level (3.36) of Emotional Well-being and a Very High (5.31) level of Personal Growth. There was no significant relationship (r=-.032, p=.867) between emotional well-being and personal growth among drag performers. Using semi-structured interview guide questions, the qualitative phase generated eight (8) themes, namely: Feeling Welcomed and Accepted; Mockery and Sexism; Emotional Distancing; Escape and Optimism; Passion and Purpose of Being a Drag Queen; Financial and Professional Challenges; Confidence Building; and Learning New Skills and Self-Acceptance. The integration phase revealed that because of social expectations and misconceptions about their art form, they frequently encountered prejudice and judgment. However, their passion for drag kept them going, fostering a stronger sense of resilience and self-acceptance. Certain performers have distinct coping strategies, as creative expression in the form of dance, makeup, and costume creation serves as a crucial coping mechanism. Emotional distancing and escape are two strategies in which performers remove themselves from uncomfortable circumstances. Furthermore, humor and optimism are important defense strategies against discrimination and mockery. The function of peer and community support, which provides strong, encouraging networks, is frequently emphasized within the drag community. The study's goal was to raise awareness of the emotional difficulties drag performers experience and the positive aspects of drag in their lives, ultimately providing actionable recommendations to help improve their overall well-being. The title of the proposed program is “Unapologetic Voices: Empowering Drag Performers.”","abstract_source":"original","authors":["Keith Ayrand Titular"],"date":"2025-03-21","doi":"10.70838/pemj.340106","id":4720,"issue":1,"journal":{"issn":"2822-4353","name":"Psychology and Education: A Multidisciplinary Journal"},"pdf_sha256":"acb278f69aeaaea49ab7649348063376d2778f831895449a33cffb7498521ca7","schema":"scimatic-article/1","title":"Convergent Parallel Mixed Methods Study of Emotional Well-Being in Philippine Drag Performers","volume":34}

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