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The Story Behind the Native Dances in the Province of Tawi-Tawi: Trancending Cultural Understanding

Halima Janang, Joselito Bagalanon, Paramisuli Amin
Psychology and Education: A Multidisciplinary Journal · 2023-12-04 · DOI 10.5281/zenodo.10254899
Token #2287
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Token#2287 of SciMatic Articles (ERC-1155), fixed supply 1,000,000
Contract0x0E596B4bb924937aA35D9b342A90347ed6F05eF8
Mint transaction0xd5a598f55e530445d0f27d3ac1afb657b2a23a5b3ffba8da5544e590010a27f5 · block 12098258
Minted2026-10-01 19:10 UTC
Hash on chain0x6872f220a8d552de25bb40a8bebfc9eb08c417e45a4beeee8038ae8961aef5d9
SHA-256 of the record0x6872f220a8d552de25bb40a8bebfc9eb08c417e45a4beeee8038ae8961aef5d9
Article today Matches the anchored record.

Allocation at minting

HolderWalletMintedHolds now
SciMatic (10%) 0xc35709AB…277732 100,000 100,000
Halima Janang 0x96a8b551…B76AC7 300,000 300,000
Joselito Bagalanon 0xAB67aAfb…78e7FB 300,000 300,000
Paramisuli Amin 0xce5125B8…E1cC8F 300,000 300,000

The anchored record

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{"abstract":"This study aimed to discover the historical background of cultural dances in Tawi-Tawi, namely, Lunsay, Igal, Tariray, Linggisan, Langka budjang, Igal mag Jin, Igal Tawti, Igal ma kibut, Igal ma Boh and kuntaw. Specifically, it sought to answer the following questions: What is the origin of these dances, meaning, the materials used, and how is it being performed? And what are the socio-cultural implications? This research study utilized a qualitative design. The respondents of this study were selected from knowledgeable dance expert natives. All gathered data was analyzed, translated into English, and presented in a narrative form. The study found out the following: dances were performed in socio-cultural activities, gracing good harvest, mimicking bird movement, a strong conviction that their illnesses are cured, economic problems can be solved, and guidance and protection from ancestors. Native materials used such as malong, pis yabit, pieces of cloth in any native color; and musical instruments such as kulintangan, agong, gong, and tambuli. Janggay, sudlay bulawan (gold plated comb), and kalajugjug. This study concluded that the origin of the dances basically is almost associated with nature and spiritual beliefs. This helped maintain cultural continuity and prevent the loss of important cultural knowledge and practice as it fostered mutual understanding and unity within the different island municipalities of the province of Tawi-Tawi. It is recommended that these dances should be preserved with the help of the LGUs and procedures are needed for uniformity of execution.","abstract_source":"original","authors":["Halima Janang","Joselito Bagalanon","Paramisuli Amin"],"date":"2023-12-04","doi":"10.5281/zenodo.10254899","id":2287,"issue":6,"journal":{"issn":"2822-4353","name":"Psychology and Education: A Multidisciplinary Journal"},"pdf_sha256":"16255468e382cfed64cbf7d47d1eaa02641deff74be02e0313017f0cd258c778","schema":"scimatic-article/1","title":"The Story Behind the Native Dances in the Province of Tawi-Tawi: Trancending Cultural Understanding","volume":15}

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  -d '{"jsonrpc":"2.0","id":1,"method":"eth_call","params":[{"to":"0x0E596B4bb924937aA35D9b342A90347ed6F05eF8","data":"0xf3e0c29000000000000000000000000000000000000000000000000000000000000008ef"},"latest"]}'

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