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Stories That Click: Digifiction as Multimodal Literary Meaning-Making Through Creative Agency, Interactivity, and Scaffolding

Carlos Vincent Ruiz
Psychology and Education: A Multidisciplinary Journal · 2026-10-11 · DOI 10.70838/PEMJ.640103
Token #11045
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Token#11045 of SciMatic Articles (ERC-1155), fixed supply 1,000,000
Contract0x0E596B4bb924937aA35D9b342A90347ed6F05eF8
Mint transaction0xbbac6e79363351fc76cd3338192ec5de07f539628d0a5b4ea0cd6d1ec0d4ed24 · block 12247305
Minted2026-10-11 07:31 UTC
Hash on chain0x9240e7726bc6c42c66ea729232893316e6ddc813a9cd1939b06cf2466198a2c4
SHA-256 of the record0x9240e7726bc6c42c66ea729232893316e6ddc813a9cd1939b06cf2466198a2c4
Article today Matches the anchored record.

Allocation at minting

HolderWalletMintedHolds now
SciMatic (10%) 0xc35709AB…277732 100,000 100,000
Carlos Vincent Ruiz 0x50180806…dacEc6 900,000 900,000

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{"abstract":"This study reconceptualized digifiction as a multimodal and interactive form of literary meaning-making situated within contemporary shifts toward multiliteracies, participatory culture, and digitally mediated learning. Rather than functioning primarily as a technological activity, digifiction emerged as a recursive literary environment where creativity, cognition, interactivity, and interpretation converge through multimodal engagement. Guided by Design Thinking and Cognitive Load Theory as complementary sensitizing frameworks, the inquiry employed transcendental phenomenology to examine the lived experiences of five Grade 11 students, five Grade 12 students, and one collaborating UCSP teacher engaged in digifiction creation and implementation. Data were generated through focus group discussions, interviews, and artifact analysis, and analyzed using phenomenological reduction, thematic clustering, triangulation, and audit trail procedures. Findings revealed that participants experienced digifiction as a recursive process in which engagement emerged through emotion, experimentation, challenge, and fulfillment, transforming learners from passive media users into active multimodal creators. Creativity unfolded through the orchestration of visuals, sound, branching narratives, navigation systems, and interactive design, while collaboration functioned as distributed cognition and shared creative agency. Scaffolding enabled learners to manage cognitive complexity productively, revealing iteration not merely as procedural revision but as recursive experiential meaning-making that extends Design Thinking toward recursive experience design. Collectively, the findings position digifiction as a scaffolded, participatory, and interpretive literary practice that advances multimodal literacy, phenomenological educational inquiry, curriculum innovation, and contemporary Philippine literature pedagogy.","abstract_source":"original","authors":["Carlos Vincent Ruiz"],"date":"2026-10-11","doi":"10.70838/PEMJ.640103","id":11045,"issue":1,"journal":{"issn":"2822-4353","name":"Psychology and Education: A Multidisciplinary Journal"},"pdf_sha256":"b149bff8f7c84e863d62727adb19f90ccc8efb1116fd4bb5afca85641bc7b56b","schema":"scimatic-article/1","title":"Stories That Click: Digifiction as Multimodal Literary Meaning-Making Through Creative Agency, Interactivity, and Scaffolding","volume":64}

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  -d '{"jsonrpc":"2.0","id":1,"method":"eth_call","params":[{"to":"0x0E596B4bb924937aA35D9b342A90347ed6F05eF8","data":"0xf3e0c2900000000000000000000000000000000000000000000000000000000000002b25"},"latest"]}'

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