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Intersectional Struggles of Queer Characters in John Bengan’s Armor: Stories

Jewelyn Rose Mansia
Psychology and Education: A Multidisciplinary Journal · 2026-09-25 · DOI 10.70838/PEMJ.630306
Token #10856
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Token#10856 of SciMatic Articles (ERC-1155), fixed supply 1,000,000
Contract0x0E596B4bb924937aA35D9b342A90347ed6F05eF8
Mint transaction0x607ca2fe223aa439657858690959bd313c1c5be8cdf3a4150e43443f33e5d6ae · block 12113317
Minted2026-10-02 16:05 UTC
Hash on chain0x3fcf5e41245fe84d362f4b80bbd0a4f58a8316bc0c1895497c490908423c8f04
SHA-256 of the record0x3fcf5e41245fe84d362f4b80bbd0a4f58a8316bc0c1895497c490908423c8f04
Article today Matches the anchored record.

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HolderWalletMintedHolds now
SciMatic (10%) 0xc35709AB…277732 100,000 100,000
Jewelyn Rose Mansia 0xf53Abb7D…BaaF7E 900,000 900,000

The anchored record

Canonical JSON (keys sorted, no spaces, UTF-8). Its SHA-256 is the hash on chain.

{"abstract":"The struggles of queers overlap each other, making them more exposed to discrimination and worse predicaments. With intersectionality theory by Crenshaw (1989), a deeper understanding of the relationships among identities, such as gender, sexuality, race, ethnicity, nationality, age, and ability, is examined. It explores a multitude of new questions beyond sexuality (McCann & Monaghan, 2019) and extends to other existing sexual identities and to more nuanced understandings of gender (Manning & Adams, 2021). Using a qualitative descriptive design, specifically textual analysis and close reading, four queer characters experience intersectional struggles in John Bengan’s Armor: Stories. One is a queer woman while the other three are gay men. The study aimed to capture the nuances of Crenshaw’s (1989; 1991) Intersectionality Theory, and therefore, more identity categories beyond the usual class, sex, and gender are determined. This includes sexuality and age, which revealed that their sexual orientation, gender expression, and current life phase expose them to varying forms of discrimination. Older gays are judged for their attempts to fit contemporary spaces for the LGBTQ+ community, while younger gays are bullied for their self-expression and sexual preferences. It also shows the community’s struggle for self-acceptance, making them stay in the closet to avoid gossips and conflict. The queer characters’ intersectional struggles show some manifestations in queer experiences in Davao City. Truthfully, the authority's power destroys the families and communities of marginalized people (Crenshaw, 1991). The LGBTQ+ community is a victim of intersectional oppression, particularly rooted in an ideology called heteronormativity. The study recommends to examine other queer characters in Philippine literature to allocate more spaces for them in the narratives. It also suggests to use other theories that will reveal their struggles related to their gender, such as Butler’s Gender Performativity.","abstract_source":"original","authors":["Jewelyn Rose Mansia"],"date":"2026-09-25","doi":"10.70838/PEMJ.630306","id":10856,"issue":3,"journal":{"issn":"2822-4353","name":"Psychology and Education: A Multidisciplinary Journal"},"pdf_sha256":"85ff43761bbc165604a897a0180f6483cd832a60631ae90d900f40c8b2b0dc42","schema":"scimatic-article/1","title":"Intersectional Struggles of Queer Characters in John Bengan’s Armor: Stories","volume":63}

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  -d '{"jsonrpc":"2.0","id":1,"method":"eth_call","params":[{"to":"0x0E596B4bb924937aA35D9b342A90347ed6F05eF8","data":"0xf3e0c2900000000000000000000000000000000000000000000000000000000000002a68"},"latest"]}'

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